Progenies of the Great Apocalypse - Symphonic Black Metal That Rips Through Time and Space

“Progenies of the Great Apocalypse”, a track from the 2017 album “The Serpent & The Sphere” by the American symphonic black metal band Absu, is a sonic odyssey that transports listeners to realms where celestial grandeur clashes with infernal aggression. This composition is not merely a song; it’s an experience, a meticulously crafted journey through time and space interwoven with themes of cosmic horror and ancient civilizations.

Formed in 1991 in the heart of Dallas, Texas, Absu quickly garnered attention for their unique blend of black metal fury and progressive elements. Led by vocalist/guitarist Proscriptor (real name: Russell Owen), a musical polymath with a penchant for occult themes and historical mythology, Absu has consistently pushed boundaries throughout their career. “The Serpent & The Sphere”, their sixth studio album, marks a mature stage in their evolution, showcasing intricate song structures, atmospheric textures, and blistering musicianship.

“Progenies of the Great Apocalypse” encapsulates these qualities perfectly. Opening with an ominous acoustic guitar passage reminiscent of ancient folk music, the track gradually builds momentum with layers of tremolo-picked guitars and relentless blast beats. Proscriptor’s vocals, a combination of rasping shrieks and haunting whispers, weave tales of cosmic devastation and ancient prophecies.

The song’s structure is akin to a dramatic narrative, unfolding in distinct movements:

• I. The Awakening: A haunting introduction featuring acoustic guitars and subtle orchestral elements sets the stage for the impending chaos.

• II. The Storm Ascends: A torrent of blast beats, tremolo-picked guitars, and guttural vocals erupts, signifying the arrival of the “Great Apocalypse.”

• III. Visions of Oblivion: A brief respite arrives, marked by a haunting melody played on clean electric guitars and ethereal keyboards. This section evokes a sense of awe and wonder amidst the chaos.

• IV. The Serpent’s Reign: The song culminates in a final, ferocious assault. Tempo increases, guitars become more dissonant, and Proscriptor delivers his most intense vocal performance.

“Progenies of the Great Apocalypse” is a testament to Absu’s mastery of symphonic black metal. The track seamlessly blends aggressive brutality with moments of haunting beauty, showcasing the band’s ability to create music that is both exhilarating and thought-provoking. This song will undoubtedly appeal to fans of extreme metal who appreciate technical proficiency, atmospheric songwriting, and lyrical themes that explore the dark corners of the human psyche.